
Hymns of Kassianí Debuts in the Billboard Top 10!
Thank you to all who pre-ordered, purchased, downloaded, and listened to Cappella Romana‘s Hymns of Kassianí recording — it made its Traditional Classical Albums Billboard Chart Debut today at #10!
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Thank you to all who pre-ordered, purchased, downloaded, and listened to Cappella Romana‘s Hymns of Kassianí recording — it made its Traditional Classical Albums Billboard Chart Debut today at #10!
[…] as the conductor of Cappella Romana, which gave its first concert in San Francisco in 1991. Since the Cappella was dedicated to the promotion and performance of Eastern Orthodox music, old and new, I decided to dedicate the 1991/1996 Liturgy to them… Read the full interview at FanfareMag. com Order Direct Today! Order on Amazon.com

Seattle critic, Philippa Kiraly, has a fantastic feature and review of our recent World Premiere performance of Maximilian Steinberg’s Passion Week in Classical Voice North America: “Sometimes it sounded stern or foreboding, sober or somber, at other times brighter and joyful, or hypnotic, peaceful, and uplifting, or solemn and reverential, even exalted in Great Saturday’s… Continue reading Untitled
[…] warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan Moody’s Akáthistos Hymn Interview originally published on iClassics. com: Ancient melodies and a sixth-century poetic meditation form the ground of Ivan Moody’s setting of The Akáthistos Hymn, one of the most beloved devotional hymns in the […]
Welcome to the second episode in this new series of playlists from the archives of Cappella Romana. During this week and the next in 2020, Western and Eastern Christians are journeying through Holy Week – the devotionally intense period from Palm Sunday through Good Friday to Easter Sunday. This year instead of attending or, more… Continue reading Untitled
[…] downloads or full albums. Thank you for your attention and, especially, for supporting the unique musical work of Cappella Romana. Holy Week 2 Maximilian Steinberg (1883–1946), ‘ Come Believers’ from Passion Week, Op. 13, Based on Early Russian Chants Tikey Zes (b. 1927), ‘Receive Me, Today’ (Great Entrance and Communion Hymn for Holy Thursday), […]

This week media outlets across the world thrust Hagia Sophia into the limelight, reporting the action by current authorities to clear the way for the UNESCO World Heritage Site to be changed from a museum to a mosque. Cappella Romana’s Lost Voices of Hagia Sophia is more relevant than ever: to shine a light on Hagia… Continue reading Untitled

[…] homogeneous, with some really gorgeously burnished choral moments. … The music on the Blu-ray disc is varied and moving, and Sheehan (who also conducts) elicits a really commendable blend, especially in some of his close harmonies. The added bonus of being able to see the accompanying ritual on the video is a nice extra… Audio on […]
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A clip from the BBC Radio 3 program “Private Passions” with celebrated historian Bettany Hughes (author of Istanbul: A Tale of Three Cities), who is a great fan of Alexander Lingas and Cappella Romana. This clip features the ensemble singing the Hymn for Holy Wednesday by Kassia. [soundcloud url=”https://api.soundcloud.com/tracks/330224554″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

[…] beautiful works” —Grego Applegate-Edwards, Classical-Modern Music Review “distinct from others of Pärt’s music” –David Salazar, Opera Wire “saying that the Cappella Romana presentation of Pärt’s Odes of Repentance seems an ideal merger of composer and performers borders on cliché – which does not make the assertion any less true” –Mark Estren, InfoDad Arvo Pärt: Odes of Repentance

[…] from Pärt’s monumental Kanon Pokajanen (Kanon of Repentance), the kanon being an ancient Byzantine poetic form. A Gospel “reading” marks the center of the service (Pärt’s The Woman with the Alabaster Box) completed by Triodion and one of his Two Slavonic Psalms. Pärt’s transcendent “Prayer after the Kanon” eventually gives way to silence, to the prayer of the heart. Cappella Romana features some […]
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