The Fall of Constantinople
$9.98 – $17.98
In the “Fall of Constantinople,” Cappella Romana explores the musical legacy of the ancient civilization of Byzantium–caught between Latin West and Islamic East–with majestic ceremonies for the cathedral of Hagia Sophia, triumphant assertions of superiority by Westerners, and fervent prayers for the healing of religious divisions. Fabled Byzantium ended with the fall of Constantinople to the Ottoman Turks on 29 May 1453, inspiring the two poignant laments sung here that give Greek and Latin perspectives on the end of a 1,000-year-old empire.
This recording features Cappella Romana’s most in-demand program, of Byzantine Chant and Polyphony c. 1453 and motets by Guillaume Dufay Directed by Alexander Lingas.
- Introit for Sundays
- Hymn of the Resurrection (Mode 1)
- Imperial Acclamations for Constantine XI Paleologos (1449–53)
- Glory. Both now.
- Kontakion of the Mother of God (Mode Plagal 4)
- Hierarchical Trisagion
- Dynamis
- Vasilissa ergo gaude
Guillaume Dufay (c. 1400–74) - Hymn for Great Compline
MS Athens 2401
Manuel Gazes the Lampadarios (early 15th c.) - Apostolo glorioso
Dufay - Kyrie Cunctipotens genitor
MS Athens 2401
Latin Chant (from Byzantine notation) - Ecclesiæ militantis
Dufay - Canon in Honor of Thomas Aquinas: Ode 1
Melody: MS Vatopedi 1529
John Plousiadenos (1429?–1500) - Communion Verse
Docheiariou 315
Plousiadenos - Canon for the Council of Florence: Ode 5
Melody: MS Vatopedi 1529
Plousiadenos - Lament for the Fall of Constantinople
MS Iviron 1120
Chrysaphes - Lamentatio Sanctæ Matris Ecclesiæ Constantinopolitanæ
Dufay
Hierarchical Entrance Rite for a Byzantine Divine Liturgy Anon. (c. 1450)
MSS Athens 2401, 2406 & 2622, Iviron 1120, St Petersburg gr. 674 and Vatopedi 1493
Manuel Chrysaphes the Lampadarios (fl. 1440–63)